Showing posts with label learning to walk. Show all posts
Showing posts with label learning to walk. Show all posts

Wednesday, 10 December 2014

Mark Roper - The Independent Author Network

Mark Roper - The Independent Author Network



...listen to well known Television and theatre actor, MILES ANDERSON'S reading of the novella TWO FEET...now on AMAZON. It is worth a listen as Miles, who originated in Southern Africa, has tackled the characters with great wit, charm and emotion.



TWO FEET - AUDIO BOOK

Tuesday, 28 October 2014

Shopping in the wind (better than at Morrisons!)


SHOPPING IN THE WIND


But they did come and repossess the car. It was a red Mini-Imp, and the men that came were from a large, prosperous city across the border, and they didn't even stay for coffee. They just drove it off down the thin, corrugated and eroded dirt road that led down the hill onto the main road.
We stood and watched it go. “Shit,” is what my mother said.
We were left with a black bicycle, and on this bicycle I would pedal on the tarmac road to the local General Dealer every day. It was a long road bordered by pineapple fields, and the labourers working in those fields wore old, plastic fertilizer bags tied to their legs to avoid the sharpness of the pineapple leaves. They were like human scarecrows.
This was a good road. It had a few hills and a few potholes, but pedalling was easy especially on the way to the Store. I’d park the bike outside the Store where the hulking overhead diesel drum was positioned, and then walk across the dry patch of red earth where the chickens fed, and climb the few concrete steps onto the porch of the building. Here, a Cobbler and a tailor worked. The tailor had a milky eye and his left leg would furiously pump the plate on the floor to make the sewing machine rattle. He looked as though he was riding a bicycle to nowhere.  The Cobbler, who wore a white shirt and a tie, had a tiny anvil and a mouthful of little black tacks that protruded from his lips like snakes’ tongues. Beside him were heaps of shoes that I thought would never cover a person’s feet or tread on a road again. But they did.
There is always a group of people gathered on the porch. A mother feeding her baby on her bosom, her head bent low over the infant to keep away the flies, an old man leaning on his cane peering from beneath the brim of his recently purchased hat, and another woman tying up her cash in a piece of cloth that she would thrust down her blouse for safe keeping.
The business of shopping was a muted, respected affair by customers in the Store. An aisle was approached with caution, almost in awe, bare feet scuffing on the concrete floor. Canned goods were held carefully in both hands, and the picture on the label was studied with the intensity of an art scholar. A bar of wrapped, Lux soap was sniffed and smiled at, and the bulky bag of Hullett’s refined, white sugar, stroked and prodded.
At the rear of the store, alongside gardening implements and paraffin lamps, shoes for men and women, made in Taiwan, beckoned. The shoes were never tried on for size but measured against the foot, the brightness of the shoe’s plastic alluring. The appearance of high heeled shoes would cause much stifled giggling.
The weighing of maize meal, sugar or flour by the Store’s owner was a solemn affair, the customer having ordered it, not by weight, but by what he or she could afford. As the grocer’s scale shifted on its fulcrum, so would the head of the customer, as if mentally trying to balance the brass contraption by telepathy. When the scale righted itself, the customer would do likewise with his or her head. Then the maize or flour would be poured into a paper bag and fastened with cello-tape. Whatever money the customer had was offered to the store-owner as payment. It was accepted that the store-owner would count out what was needed, and the balance be returned. A sticky sweet or two always concluded the transaction.
If a can of paraffin was listed on my mother’s shopping list, the road and the ride home was a challenge. Paraffin was an essential fuel. It kept the deep freeze and the fridge cold and the hurricane lamps alight when there was a power failure. The bag of meagre groceries I could hang on the handlebars, but a five-gallon metal container filled with paraffin was heavy and cumbersome, and the only place for it was between my legs on the hard saddle so I’d peddle off with knees and elbows wide like a frog in mid-flight and my backside almost touching the rear tyre.
The road I travelled was often shared with one or two eighteen-wheeler railway trucks.  Red, monstrous and loud, they travelled across the country transporting cattle, timber and sugar cane. Long before they came into sight the tarmac beneath the bicycle’s front wheel would vibrate, and as fate would have it, we’d meet on the downhill, so there was no time or place for stopping. Feet would start pumping wildly on the pedals and my backside would take to the air and the paraffin would begin sloshing left and right as the grocery bag began to scream and tear against the spokes of the front tyre.
To this day I don’t have a clue why I thought going faster would save me from the metallic beast that was coming up behind me. It is what boys do.
The driver of the monster would purposefully sound his foghorn as he neared. The sound of the tyres and the metal was ferocious as the vehicle passed, like a freight train coming out of a tunnel and crossing a steel bridge. It felt endless. It was a red blur out of the corner of your eye. The handlebars of the bicycle shuddered like a jack hammer in your hands. The tarmac was a dark blur, and the yellow grass on the verge becomes a spray of colour without shape.
Then the wind, the gale, the blizzard, the hurricane hit.
It came off the passing vehicle and slammed into you as you quickly tensed your flailing knees, and sphincter muscle, around the five-gallon paraffin can. You try to turn the bicycle’s juddering wheel into the wind with no success. You bend your head so low you are just short of chewing the metal of the handlebars.
Then you are in the ditch, and you are being watched by a group of labourers that work in a pineapple field dressed like human scarecrows. The bag of sugar you bought has exploded on the hot tarmac, and the bar of Lifebuoy soap has disintegrated against the fence-pole, and the bicycle has curled up some twenty feet away shaped like a modern sculpture.
But you are still holding the five-gallons of paraffin to your chest as if it were liquid gold.
Which it was.
 *****
Mabuza once told me that when travelling on any road and there is a fear of being struck from behind by an ill wind, get off the road.

*****

Monday, 22 September 2014

FREE AUDIO SAMPLE - THE BONE TRADERS


My name is Dog.
I am a simple creature: I eat from a simple carcass. I ask for no more or less. I am good.
I fly your sky. From a height I witnessed the beginning of the end.
In my simplicity I do not profess to know your sciences, your mathematics, your nucleus, atoms and fusion.
 From aloft, riding a thermal, I experience the detonation.
My wings are buffeted by the shock waves that precede the wrath.
My body is pummelled.
I close my eyes to the whiteness of the light before I begin to spiral away.
Toward what and where, I do not know.
Only time will tell. 

FREE AUDIO SAMPLE

Visit READROPERBOOKS for extracts from his novella, Two Feet and other selected writings.

Wednesday, 3 September 2014

Monday, 14 July 2014

Has Technology destroyed mystery?

An interesting article by author Matt Ridley:
...made me revisit the thinking behind The Bone Traders -- : for more visit The Bone Traders. When there is no future, all you have left is the past. Why? What happened? Look toward the sun.  

AN EXCERPT:

The once grassy plains have changed. All hint of greenery has gone. It is hot, dry and a lazy devil-wind spirals lethargically in the West.
The skyline of the city you named earlier has disappeared. Not even a shadow remains. Those people that survived have moved on to distant places.
The cause of The Event is simple. It requires no scientific explanation. Mother Nature has always walked with small steps, learning and progressing during her gradual journey through time. We humans have ignored that learning. We have outpaced our own, what should have been, measured strides. We have started running before we have truly learnt to walk.
Mother Nature has simply put the brakes on. She has shortened your stride. She has retarded life in the hope that we will learn to walk again.

The solar storm, you remember, lasted for eight months; in some areas, longer. The crust of the planet was left flecked like the hide of a spotted hyena; flecked with disaster zones, places where the few survivors, mainly the young, managed to migrate from. Some were fortunate, others not so.
The sun is now a white, hostile orb; iris burning.
Welcome to the town that your God, Law, Time, Nature and society has forgotten. A line of bungalows now stand brick deep in ever increasing mounds of shifting sand, their structures built from salvaged remains of brick, wood, plastic and metal. A shanty town that whispers of a past you may remember, but shouts of a sad present.
An army of salvaged wind-pumps turn angrily in the wind, their battle now to suck water from an unyielding soil. Three crippled wind generators turn in the stale air, probably creating enough power to light a bulb or two.
A hint of ill repaired solar panels can be seen perched on the crudely constructed roof tops.
A small Church offers its imperfect steeple to a cloudless sky. There is one shop, a general dealer. There are no cars, no gas pumps nor signs of children. The sight of a blossoming flower is rare. There is a monotonous twirling of dust and the ricocheting of bright sunlight off metal.
At the far end of the only street, outside a house, a group of people have gathered. There is also a cart and a donkey.
Inside the house, in a narrow bedroom, Reverend Dickinson, spectacled, stands looking out the window. He’s holding a Bible. Reverend Dickinson is stooped under God’s forgetfulness.  It is a heavy burden for him and the slope of his narrow shoulders demonstrates that.
Suddenly there is a woman’s scream from within the room and it scares the crap out of Reverend Dickinson. He spins on his heels.
“Well?” Reverend Dickenson asks the midwife that is bent over the prone body of the woman who is about to give birth.
The woman giving birth again screams. She is over the age of seventy and her wrinkled, sunburnt flesh contorts grotesquely. Rivulets of perspiration gather in the valley of her wrinkles.
The midwife, who is in her late sixties, glances quickly toward Reverend Dickinson. “It’s coming. Help me.”
“No!” The Reverend almost shouts his response.
The pregnant woman mumbles incoherently.
“I need light. Move away from the window.”
The Reverend Dickinson does, his glasses shining like mirrors in the heat. Through the small window, he can see the group of people gathered outside in the street. An elderly woman sits on a wooden stool. She is knitting a garment. It is pink and suited for a newborn child. The knitting needles click furiously in her hands.
The midwife works, her heavy face sweating profusely.
A bowl of bloody water is dipped into and out of.
“Please God,” whispers Reverend Dickinson, still hypnotised by the rhythm of the knitting needles. 
“Come on, Mary, come on...you have to push, Mary!  I can see the head!”
There is another scream and the tension shows in the Reverend’s shoulders. He wants to turn and look, but he cannot.
The midwife suddenly shouts. Her own breathing is heavy. “It’s out! It’s a...”
Reverend Dickinson spins on his heels. “It’s a what? Tell me.”
Reverend Dickinson makes eye contact with the midwife as he struggles not to look at the bloody mess that he knows the midwife must be holding.
The midwife holds the Reverend’s enquiring look momentarily, then she vomits.
Reverend Dickinson gulps in air and closes his eyes. He inhales and exhales and he tries to compose himself. He straightens his back, finding strength from somewhere.
“Wrap the...wrap it up,” he finally says with an edge of hostility.
Then he leaves the narrow room, the Bible clutched to his chest.