Showing posts with label learning to walk. Show all posts
Showing posts with label learning to walk. Show all posts
Thursday, 11 December 2014
Wednesday, 10 December 2014
Mark Roper - The Independent Author Network
Mark Roper - The Independent Author Network
...listen to well known Television and theatre actor, MILES ANDERSON'S reading of the novella TWO FEET...now on AMAZON. It is worth a listen as Miles, who originated in Southern Africa, has tackled the characters with great wit, charm and emotion.
TWO FEET - AUDIO BOOK
...listen to well known Television and theatre actor, MILES ANDERSON'S reading of the novella TWO FEET...now on AMAZON. It is worth a listen as Miles, who originated in Southern Africa, has tackled the characters with great wit, charm and emotion.
TWO FEET - AUDIO BOOK
Wednesday, 12 November 2014
Tuesday, 28 October 2014
Shopping in the wind (better than at Morrisons!)
...a FREE chapter from the novella, TWO FEET, by MARK ROPER. In it he explains, briefly, what is was to go shopping in Swaziland in the late 1960's. Some of Mark's earlier Blogs reflect his attitude toward modern day shopping!!! (There's a salad on my head, Brain Decay etc etc). TWO FEET will soon be available as a FULL audio book read by the well known stage and screen actor, Miles Anderson. Please free free to comment and, needless to say, TWO FEET is available to purchase on +Amazon.com
SHOPPING IN THE WIND
But they did come and repossess the car. It was a red
Mini-Imp, and the men that came were from a large, prosperous city across the
border, and they didn't even stay for coffee. They just drove it off down the
thin, corrugated and eroded dirt road that led down the hill onto the main
road.
We stood and watched it go. “Shit,” is what my mother
said.
We were left with a black bicycle, and on this bicycle
I would pedal on the tarmac road to the local General Dealer every day. It was
a long road bordered by pineapple fields, and the labourers working in those
fields wore old, plastic fertilizer bags tied to their legs to avoid the
sharpness of the pineapple leaves. They were like human scarecrows.
This was a good road. It had a few hills and a few
potholes, but pedalling was easy especially on the way to the Store. I’d park
the bike outside the Store where the hulking overhead diesel drum was
positioned, and then walk across the dry patch of red earth where the chickens
fed, and climb the few concrete steps onto the porch of the building. Here, a
Cobbler and a tailor worked. The tailor had a milky eye and his left leg would
furiously pump the plate on the floor to make the sewing machine rattle. He
looked as though he was riding a bicycle to nowhere. The Cobbler, who
wore a white shirt and a tie, had a tiny anvil and a mouthful of little black
tacks that protruded from his lips like snakes’ tongues. Beside him were heaps
of shoes that I thought would never cover a person’s feet or tread on a road
again. But they did.
There is always a group of people gathered on the
porch. A mother feeding her baby on her bosom, her head bent low over the
infant to keep away the flies, an old man leaning on his cane peering from
beneath the brim of his recently purchased hat, and another woman tying up her
cash in a piece of cloth that she would thrust down her blouse for safe
keeping.
The business of shopping was a muted, respected affair
by customers in the Store. An aisle was approached with caution, almost in awe,
bare feet scuffing on the concrete floor. Canned goods were held carefully in
both hands, and the picture on the label was studied with the intensity of an
art scholar. A bar of wrapped, Lux soap was sniffed and smiled at, and the
bulky bag of Hullett’s refined, white sugar, stroked and prodded.
At the rear of the store, alongside gardening
implements and paraffin lamps, shoes for men and women, made in Taiwan,
beckoned. The shoes were never tried on for size but measured against the foot,
the brightness of the shoe’s plastic alluring. The appearance of high heeled
shoes would cause much stifled giggling.
The weighing of maize meal, sugar or flour by the
Store’s owner was a solemn affair, the customer having ordered it, not by
weight, but by what he or she could afford. As the grocer’s scale shifted on
its fulcrum, so would the head of the customer, as if mentally trying to
balance the brass contraption by telepathy. When the scale righted itself, the
customer would do likewise with his or her head. Then the maize or flour would
be poured into a paper bag and fastened with cello-tape. Whatever money the
customer had was offered to the store-owner as payment. It was accepted that the store-owner would count out what was needed, and the balance be returned. A
sticky sweet or two always concluded the transaction.
If a can of paraffin was listed on my mother’s shopping
list, the road and the ride home was a challenge. Paraffin was an essential
fuel. It kept the deep freeze and the fridge cold and the hurricane lamps
alight when there was a power failure. The bag of meagre groceries I could hang
on the handlebars, but a five-gallon metal container filled with paraffin was
heavy and cumbersome, and the only place for it was between my legs on the hard
saddle so I’d peddle off with knees and elbows wide like a frog in mid-flight
and my backside almost touching the rear tyre.
The road I travelled was often shared with one or two
eighteen-wheeler railway trucks. Red, monstrous and loud, they travelled
across the country transporting cattle, timber and sugar cane. Long before they
came into sight the tarmac beneath the bicycle’s front wheel would vibrate, and
as fate would have it, we’d meet on the downhill, so there was no time or place
for stopping. Feet would start pumping wildly on the pedals and my backside
would take to the air and the paraffin would begin sloshing left and right as
the grocery bag began to scream and tear against the spokes of the front tyre.
To this day I don’t have a clue why I thought going
faster would save me from the metallic beast that was coming up behind me. It
is what boys do.
The driver of the monster would purposefully sound his
foghorn as he neared. The sound of the tyres and the metal was ferocious as the
vehicle passed, like a freight train coming out of a tunnel and crossing a
steel bridge. It felt endless. It was a red blur out of the corner of your eye.
The handlebars of the bicycle shuddered like a jack hammer in your hands. The
tarmac was a dark blur, and the yellow grass on the verge becomes a spray of
colour without shape.
Then the wind, the gale, the blizzard, the hurricane
hit.
It came off the passing vehicle and slammed into you as
you quickly tensed your flailing knees, and sphincter muscle, around the
five-gallon paraffin can. You try to turn the bicycle’s juddering wheel into
the wind with no success. You bend your head so low you are just short of
chewing the metal of the handlebars.
Then you are in the ditch, and you are being watched by
a group of labourers that work in a pineapple field dressed like human
scarecrows. The bag of sugar you bought has exploded on the hot tarmac, and the
bar of Lifebuoy soap has disintegrated against the fence-pole, and the bicycle
has curled up some twenty feet away shaped like a modern sculpture.
But you are still holding the five-gallons of paraffin
to your chest as if it were liquid gold.
Which it was.
*****
Mabuza once told me that when travelling on any road
and there is a fear of being struck from behind by an ill wind, get off the
road.
*****
Monday, 22 September 2014
FREE AUDIO SAMPLE - THE BONE TRADERS
My name
is Dog.
I am a
simple creature: I eat from a simple carcass. I ask for no more or less. I am
good.
I fly
your sky. From a height I witnessed the beginning of the end.
In my
simplicity I do not profess to know your sciences, your mathematics, your
nucleus, atoms and fusion.
From aloft, riding a thermal, I experience the
detonation.
My wings
are buffeted by the shock waves that precede the wrath.
My body
is pummelled.
I close
my eyes to the whiteness of the light before I begin to spiral away.
Toward
what and where, I do not know.
Only
time will tell.
Visit READROPERBOOKS for extracts from his novella, Two Feet and other selected writings.
Wednesday, 3 September 2014
Free Audiobook - The Bone Traders
...listen to a FREE sample of The Bone Traders -- soon to released in its entirety on +Amazon.com and +iTunes.
Any comments, good or indecent, gladly appreciated!!!!
FREE SAMPLE OF THE BONE TRADERS
Any comments, good or indecent, gladly appreciated!!!!
FREE SAMPLE OF THE BONE TRADERS
Tuesday, 26 August 2014
Monday, 14 July 2014
Has Technology destroyed mystery?
An interesting article by author Matt Ridley:
...made me revisit the thinking behind The Bone Traders -- : for more visit The Bone Traders. When there is no future, all you have left is the past. Why? What happened? Look toward the sun.
AN EXCERPT:
The once grassy plains have changed. All
hint of greenery has gone. It is hot, dry and a lazy devil-wind spirals
lethargically in the West.
The skyline of the city you named earlier
has disappeared. Not even a shadow remains. Those people that survived have
moved on to distant places.
The cause of The Event is simple. It
requires no scientific explanation. Mother Nature has always walked with small
steps, learning and progressing during her gradual journey through time. We humans
have ignored that learning. We have outpaced our own, what should have been,
measured strides. We have started running before we have truly learnt to walk.
Mother Nature has simply put the brakes on.
She has shortened your stride. She has retarded life in the hope that we will
learn to walk again.
The solar storm, you remember, lasted for
eight months; in some areas, longer. The crust of the planet was left flecked
like the hide of a spotted hyena; flecked with disaster zones, places where the
few survivors, mainly the young, managed to migrate from. Some were fortunate,
others not so.
The sun is now a white, hostile orb; iris
burning.
Welcome to the town that your God, Law,
Time, Nature and society has forgotten. A line of bungalows now stand brick
deep in ever increasing mounds of shifting sand, their structures built from
salvaged remains of brick, wood, plastic and metal. A shanty town that whispers
of a past you may remember, but shouts of a sad present.
An army of salvaged wind-pumps turn angrily
in the wind, their battle now to suck water from an unyielding soil. Three
crippled wind generators turn in the stale air, probably creating enough power
to light a bulb or two.
A hint of ill repaired solar panels can be
seen perched on the crudely constructed roof tops.
A small Church offers its imperfect steeple
to a cloudless sky. There is one shop, a general dealer. There are no cars, no
gas pumps nor signs of children. The sight of a blossoming flower is rare.
There is a monotonous twirling of dust and the ricocheting of bright sunlight
off metal.
At the far end of the only street, outside
a house, a group of people have gathered. There is also a cart and a donkey.
Inside the house, in a narrow bedroom,
Reverend Dickinson, spectacled, stands looking out the window. He’s holding a
Bible. Reverend Dickinson is stooped under God’s forgetfulness. It is a heavy burden for him and the slope of
his narrow shoulders demonstrates that.
Suddenly there is a woman’s scream from
within the room and it scares the crap out of Reverend Dickinson. He spins on
his heels.
“Well?” Reverend Dickenson asks the midwife
that is bent over the prone body of the woman who is about to give birth.
The woman giving birth again screams. She
is over the age of seventy and her wrinkled, sunburnt flesh contorts
grotesquely. Rivulets of perspiration gather in the valley of her wrinkles.
The midwife, who is in her late sixties,
glances quickly toward Reverend Dickinson. “It’s coming. Help me.”
“No!” The Reverend almost shouts his
response.
The pregnant woman mumbles incoherently.
“I need light. Move away from the window.”
The Reverend Dickinson does, his glasses
shining like mirrors in the heat. Through the small window, he can see the
group of people gathered outside in the street. An elderly woman sits on a
wooden stool. She is knitting a garment. It is pink and suited for a newborn
child. The knitting needles click furiously in her hands.
The midwife works, her heavy face sweating
profusely.
A bowl of bloody water is dipped into and
out of.
“Please God,” whispers Reverend Dickinson,
still hypnotised by the rhythm of the knitting needles.
“Come on, Mary, come on...you have to push,
Mary! I can see the head!”
There is another scream and the tension
shows in the Reverend’s shoulders. He wants to turn and look, but he cannot.
The midwife suddenly shouts. Her own
breathing is heavy. “It’s out! It’s a...”
Reverend Dickinson spins on his heels.
“It’s a what? Tell me.”
Reverend Dickinson makes eye contact with
the midwife as he struggles not to look at the bloody mess that he knows the
midwife must be holding.
The midwife holds the Reverend’s enquiring
look momentarily, then she vomits.
Reverend Dickinson gulps in air and closes
his eyes. He inhales and exhales and he tries to compose himself. He
straightens his back, finding strength from somewhere.
“Wrap the...wrap it up,” he finally says
with an edge of hostility.
Then he leaves the narrow room, the Bible
clutched to his chest.
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